I can't remember the weaver who said, "I love the work of intelligent hands." But that's what I strive for -- thoughtful handwork. When I was little, I remember looking at my grandmother's and my mother's hands and loving their character, the strength of the veins reaching to their fingers. I wanted hands like that. Now I have them, those veiny hands, and I try to use them well.
This jacket is not yet finished. The yarn was handspun, from merino and llama roving, then dyed in the colors of the carpets I see at work. It's a five-harness waffle weave, with plain-weave variations. The button is an antique that has been waiting for this jacket! The pockets are not yet sewn on, but the way the edges play about the body of the jacket -- that's a worthy effect to try to achieve in another garment, don't you think?
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Some Notes from My New Lecture, 'You Can't Judge a Warp by Its Color'
When I teach workshops on Echo and Jin using a 4-color parallel threading, weavers will often say to me, "I don't like the colors...

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I think it's Elvis Costello who said, "Writing about music is like dancing about architecture." You could say the same ...
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Last Saturday at the Weaving and Fiber Arts Center, I taught a class on "Getting the Blues: Natural Dyeing with Indigo and Woad."...
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In 1921, Johannes Itten -- a painter and teacher at Germany's famed Bauhaus School -- published The Color Star , a small book featurin...
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